Volume 21, Number 45
news
TxDOT details plans for the Trans Texas Corridor
BY MIKE CLARK-MADISON
The Lege considers the troubled state of Texas charter schools
BY MICHAEL MAY
BY LEE NICHOLS
Stratus plan heads back to the City Council for round two
BY AMY SMITH
For the time being, SH 45 South is off the table.
BY LAURI APPLE
This week's roundup of local news and politics
BY LAURI APPLE
A skeptical analysis of the pending Stratus deal
BY MIKE CLARK-MADISON
America is distracted by the Pledge "crisis" while our government readies for war.
BY MICHAEL KING
The state department says good journalism is treason; and San Antonians fight a golf course over the aquifer.
BY JIM HIGHTOWER
food
Our Food writers stay up to date with Austin's ever-shifting culinary landscape while still finding time to revisit their favorites.
BY VIRGINIA B. WOOD
BY VIRGINIA B. WOOD
Virginia B. Wood has quite simply gotta lotta news in this week's "Food-o-File."
BY VIRGINIA B. WOOD
Hurry, before it melts! Again! Erin Mosow chills out at local ice creameries in this week's "Second Helpings."
music
Tommy Lee and his Jerry Springer problem.
BY MARGARET MOSER
The once-future Kurt Cobain, Ben Kweller, grows up to be Elliott Smith.
BY ANDY LANGER
One week after the Hole in the Wall closes, the Black Cat burns down.
BY KEN LIECK
Phases and Stages
Live Shot
Frank Sinatra in Hollywood, 1940-1964
Record Review
Free All Angels
All Over Creation
screens
Screenwriter Evan Hunter will be in attendance at the Paramount screening of The Birds, his 1963 collaboration with Alfred Hitchcock.
BY KIMBERLEY JONES
The Hideout hosts a retrospective of experimental filmmaker Aaron Valdéz's work.
BY CHALE NAFUS
TV's Crocodile Hunter Steve Irwin wrestles a new beast: the Hollywood movie.
BY DAVID GARZA
The Hope Arts Festival and local film collective Project Seven host an Evangelical Christian film festival at the Alamo Drafthouse Downtown this weekend.
BY MARC SAVLOV
Ron Howard helms The Alamo no mo'.
BY MARC SAVLOV
Really bad TV deserves really bad haiku.
BY BELINDA ACOSTA
Screens Reviews
The seedy tragimusical King Creole counts as a turning point for both its legendary star, Elvis Presley, and its director, Michael Curtiz, the man who made a little film nearly two decades prior called Casablanca.
Film Reviews
arts & culture
With a new production of the "American Tribal Love-Rock Musical" Hair, director Dave Steakley caps 10 years of making the Zachary Scott Theatre Center rock -- and so much more.
BY ROBERT FAIRES
A Northern California theatre director is combing through the massive Tennessee Williams archive in UT's Harry Ransom Humanities Research Center for another as-of-yet unstaged drama by the great playwright that he can bring into the spotlight á la Spring Storm.
BY ROBERT FAIRES
Arts Reviews
A 6-year-old critic pronounces kidsActing's latest production of Cyberella to be "the best show ever," but even her jaded reviewer has to admit that its update on "Cinderella" boasts a playful script, top-notch production values, and a young cast and the cast that really delivers song after song.
Austin playwright Emily Cicchini tells the true story behind Edward Lear's magical "The Owl and the Pussy-Cat" in Edward, the Owl & the Calico Cat, and the Pollyanna Theatre Company production delivers it smartly, if at a somewhat breathless pace.
Director and sound designer Stephen Balgooyen and his youthful cast bring us the horrors of war live and in living drab green in Tracers, but shouted lines and an overwhelming sound design render much of their work on this difficult material unintelligible.
columns
We mourn the loss of the Hole in the Wall, where many post-publication nights were lost and at least one marriage was born.
BY LOUIS BLACK
Our readers talk back.
BY MR. SMARTY PANTS
BY GERALD E. MCLEOD
Stephen gets a nasty letter and tells stories from the "Mommie Dearest" benefit. Bit-chee, bit-chee, bitcheeeeeeeeee
BY STEPHEN MACMILLAN MOSER
Anna wants to become a top-flight tennis star? Kan o' kourn. Just become a Williams sister.
BY ANDY "COACH" COTTON
Four meditations on three undefinable words: I love you.
BY MICHAEL VENTURA
Letters to the editor, published daily