Home Events Arts

From across the stars comes a tale of familial bonds, cosmic wonder, and donuts. Austin’s own DIY theatre Bottle Alley Theatre Company presents Aurora, written by Chris Fontanes, directed by Trace Turner, and featuring the acting talents of Rosemary McGraw, Cassandra DeFreitas, and Bonnie Lambert. This “transcendent theatrical experience” follows the titular Aurora as she celebrates her 30th birthday by attempting to trek back to her home planet – with inspiration taken from the real 1897 UFO crash in Aurora, Texas. Grab your ticket to this celestial journey, and consider adding on the $20 concessions package: a themed cocktail/mocktail, one Lunchable (pizza or ham & cheddar), and one jelly donut cupcake (GF options available). – James Scott

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

Jacob Guzman’s art takes up SPACE. It’s got the scale and scope that needs to be seen in person, so rush to take in the last week of his work filling the walls of Ivester Contemporary. Guzman depicts BIPOC characters in a world full of the mundane, the joyful, the soul-crushing. So, you know, our world. Building on traditions from contemporary artists to Harlem Renaissance masters, Guzman’s blocky giants play with the absurd and beautiful parts of life.: – Cat McCarrey

Vessel: a container that holds things. Vessel: a person infused with a quality. What quality? Any. Feel free to interpret it yourself when basking in Diane Chiyon Hong’s exhibit “Vessels – Handle with Care.” Her architectural sketches, part function, part form, part object, part person, part humor but all thought-provoking, currently grace the halls of the Asian American Resource Center. It’s Asian American Native Hawaiian and Pacific Islander Month, so why not pay the AARC a visit. I mean, if not now, when? – Cat McCarrey

I’m a bona fide sandwich lover and a staunch believer in prison reform, so Clyde’s sounds just delectable. Ground Floor presents the story of a truck stop shop that employs former prisoners in the kitchen. The owner might not believe in them, but will they find a way to believe in themselves? First, anything set around food is guaranteed to be aces in my book. But finding a way to integrate human kindness with edible delicacies? Irresistible. Check it out, and discover just how delicious hope can be. – Cat McCarrey

One of the best ways to spend a weekend is wandering through art galleries. Add in a cold beverage and a friend to help ponder artistic meaning, and it’s just like heaven. Bolm Arts, Almost Real Things, Good Dad Studios, Tin Whistle Art Gallery, ArtUsCo, and Something Cool Studios are opening their doors to just that sort of visceral, visual pleasure. With an open studio day, this event offers a chance to bask in local style and purchase original fine arts pieces for $500 or less. It’s Austin’s even more affordable art extravaganza. – Cat McCarrey

Anyone who’s lost a loved one can testify to the unfamiliar pain of fresh grief. It really is an emotional roller coaster, full of shocking joy and debilitating sorrow, always appearing at unexpected moments. After losing her grandfather, artist Monica Martinez-Diaz channeled her pain into art. Her latest exhibit covers her journey using photography, books, and video work. It tackles the opposing forces of grief through bold colors and small details. Its loving appreciation of the people who travel through our lives is guaranteed to resonate. – Cat McCarrey

Between gallery installations, ICOSA Collective utilizes their window space facing the Canopy thoroughfare to showcase short-running art shows. These artists often experiment with the limits of their window framings while their work remains displayed 24/7. ICOSA Collective is proud to present this week the latest multimedia work from visual artist/curator Rebecca Marino, “DOGSBODY IS DEAD.” The Austinite takes inspiration from author Kathrine Dunn’s semi-autobiographical work Attic, which delves into life as a young woman incarcerated in the 1960s Midwest. The displayed art, ICOSA Collective promises, will unpack “the emotional/ behavioral standards placed upon women and the often tragic results that ensue.” – James Scott

This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

It all began with a list of those little moments and wonders in life, created by writer Duncan Macmillan as a short play called Sleeve Notes. But over time that list evolved through multiple iterations until it finally became Every Brilliant Thing, a one-man play based around the list of everything best in life delivered by a 6-year-old boy to his mother as he tries to understand this thing called depression. Joseph Garlock takes on the part originated by Jonny Donahue, all with the assistance of the audience. Post-show talkbacks with representatives from the National Alliance on Mental Illness Central Texas and Integral Care take place May 3 and 17. – Richard Whittaker

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

Tusa, Sicily, in addition to being a beautiful seaside Italian village, was also birthplace to artist Jeffrey Dell’s newest monotypes. He created the works during an artist’s residency, utilizing traditional printmaking materials to capture the vertical nature of his surroundings. In his artist’s statement, Dell explains his goal with the monotypes as interrogating what happens between seeing and understanding images. “The mind wants and expects to see certain things and is capable of leaping ahead,” Dell writes. “Mostly those leaps are amazingly correct, but sometimes they’re wrong. I’m trying to make work that creates a moment when it’s possible to notice such dynamics while also avoiding the ‘punchline’ of an optical illusion – that is, to deny a moment of ‘getting it.’” – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

The diverse lineup of hilarious, always surprising improv shows continues, with Pgraph and Maestro and the Big Bash and more, for the most unexpected delights of in-person entertainment.

Over six decades, internationally acclaimed artist Hunt Slonem has created his own universe, with pieces in the Met, the Whitney, Guggenheim, et al. and celeb collectors from Sharon Stone to the Kardashian clan. Known for vibrant neo-expressionist works starring the three B’s – bunnies, birds, and butterflies – the New Yorker even paints with a bird or two from his personal aviary perched on his shoulder. This comprehensive display brings together over 100 works spanning oil paintings to blown glass, and is presented in conjunction with “Huntopia,” opening May 4 at San Antonio Botanical Garden. – Kat McNevins

Accenting soft, blurred pastels with sharp acrylics, Yamin Li’s “Gnortsma” exhibit reflects the uncertainty of life as an immigrant. Nothing is quite right in the series’ 20 paintings; the Chinese artist blends “habitual objects” – houses, trees, toys – with more unexpected ones, like a figure rendered with childlike collage bearing a medieval spear and sword. Li debuts her works at a May 2 opening ceremony, which runs from 5:30 to 7:30pm. Afterward, the Central Library will display the exhibit until July 14. – Carys Anderson